Gratovich adapted his performance style effortlessly: He played new music with tapered intensity, earlier music with an easy grace and lyricism, and brought a fat, throbbing tone and the assured, tossed-off energy of an encore to the Nin work. Brahms Double Concerto - Mendelssohn Stravinsky Prokofiev Violin. Ives was Ives, complete with his 99th quote from ''The Battle Cry of Freedom.'' Call To Muster, And Battle Cry Of Freedom (Chicago Symphony Orchestra and Chicago. Shapey's ''Fantasy'' is typically knotted, gnarled music that grips the listener with its sheer intensity. The Battle Cry of Freedom (George Frederick Root) The Battle Cry of Freedom (George Frederick Root) Arrangements of This Song: View All. Messiaen's ''Theme and Variations'' is an early work and mostly academic, but with a clear prefiguration of his later style, particularly in its harmonic language. 3), Respighi's ''Three Pieces for Violin and Piano,'' and an arrangement of Robert Schumann's ''Fantasiestucke'' (Op. There was something for traditionalist and modernist alike - Olivier Messiaen's ''Theme and Variations,'' Ralph Shapey's ''Fantasy,'' Charles Ives's ''Pre-First Sonata Movement for Violin and Piano,'' Joaquin Nin's ''Chants d'Espagne,'' Beethoven's Sonata in E flat (Op.
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